
Madonna and Child Enthroned with Angels and Saints
Taddeo Gaddi·1355
Historical Context
Taddeo Gaddi painted this monumental Madonna and Child Enthroned with Angels and Saints around 1355, toward the end of his career as the most prominent heir to Giotto's legacy in Florence. The composition represents the traditional Maestà format that dominated Tuscan altarpiece painting throughout the Trecento, presenting the Virgin as Queen of Heaven surrounded by her heavenly court. Now in the Uffizi Gallery, it stands as a major work of mid-14th-century Florentine painting.
Technical Analysis
Executed in tempera and gold on a large panel, the enthroned Madonna occupies a central architectural throne flanked by symmetrically arranged angels and saints in a monumental pyramidal composition. Gaddi's technique demonstrates the Giottesque mastery of volumetric form and spatial depth while incorporating elaborate Gothic decorative elements in the gold tooling and textile patterns.






