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The Assassination of Saint Peter Martyr by Titian

The Assassination of Saint Peter Martyr

Titian·1528

Historical Context

Titian's Assassination of Saint Peter Martyr, painted around 1528 for the church of Santi Giovanni e Paolo in Venice, was considered his greatest masterpiece until it was destroyed by fire in 1867. The dramatic composition showed the Dominican inquisitor being attacked by assassins in a forest, with towering trees and violent movement creating unprecedented dramatic energy. The loss of this painting is considered one of the greatest tragedies in art history.

Technical Analysis

Known only through copies and engravings, the painting demonstrated Titian's revolutionary approach to violent action in landscape, with dramatically foreshortened figures and towering trees creating a composition of unprecedented dynamism.

Look Closer

  • ◆Saint Peter Martyr falls to the ground as his assassin strikes, the dramatic moment of martyrdom captured with violent intensity
  • ◆The forest setting creates a claustrophobic backdrop that intensifies the violence — there is no escape route visible
  • ◆This was considered one of Titian's greatest works, but the original was destroyed by fire in 1867 — the composition survives only through copies
  • ◆The dynamic diagonal of the falling figure and the assassin's upraised arm create the powerful compositional lines that made this painting famous

Condition & Conservation

The original painting of 1528, considered one of Titian's supreme masterpieces, was destroyed in a fire at the Church of Santi Giovanni e Paolo, Venice, in 1867. What survives are copies and versions that preserve the composition. Any extant version is a copy after the lost original and has been conserved accordingly.

See It In Person

Santi Giovanni e Paolo

Venice, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
515 × 308 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Santi Giovanni e Paolo, Venice
View on museum website →

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