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Madonna with the Siskin by Albrecht Dürer

Madonna with the Siskin

Albrecht Dürer·1506

Historical Context

Madonna with the Siskin, painted in 1506 during Dürer's second Venetian journey and now at the Gemäldegalerie Berlin, is one of the most warmly human of his devotional works. The Virgin holds the Christ child on her knee while the young Baptist presents a siskin (a small finch) — a bird associated with the Passion through legend. Dürer made this painting during an extended Venetian stay that transformed his understanding of color and atmosphere: the golden Venetian light, the soft modeling of flesh, and the landscape background all reflect his absorbed study of Bellini and the Venetian colorist tradition. The painting demonstrates his ability to synthesize his northern precision with the southern sensuous warmth that transformed his mature style.

Technical Analysis

The luminous color and soft atmospheric effects reflect Venetian influence, while the intricate detail of flowers and the siskin bird demonstrate Dürer's northern exactitude. The composition balances Italian formal harmony with northern botanical specificity.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
93.5 × 78.9 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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Virgin and Child by Albrecht Dürer

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Albrecht Dürer·1516

Virgin and Child with Saint Anne by Albrecht Dürer

Virgin and Child with Saint Anne

Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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