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Noli me tangere by Andrea del Sarto

Noli me tangere

Andrea del Sarto·1510

Historical Context

This Noli Me Tangere by Andrea del Sarto, held in the Uffizi Gallery, depicts the moment when the risen Christ appears to Mary Magdalene in the garden but instructs her not to touch him (John 20:17). Painted around 1510, the work belongs to del Sarto's early maturity when he was establishing himself as a leading Florentine painter. The subject — with its complex emotional dynamics of recognition, joy, and prohibition — allowed del Sarto to demonstrate his gift for psychological nuance. The garden setting provides a pastoral backdrop that recalls Leonardo's atmospheric landscape painting.

Technical Analysis

The composition places the two figures in a landscape setting rendered with Leonardo's atmospheric perspective, creating a gentle recession into hazy distance. Del Sarto's sfumato softens the figures' outlines, integrating them into the landscape, while the gestures — Christ's restraining hand, Magdalene's reaching posture — create a powerful narrative tension within the serene setting.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
176 × 155 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Uffizi Gallery, Florence
View on museum website →

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Portrait of a Man by Andrea del Sarto (Andrea d'Agnolo)

Portrait of a Man

Andrea del Sarto (Andrea d'Agnolo)·1528–29

The Sacrifice of Isaac by Andrea del Sarto

The Sacrifice of Isaac

Andrea del Sarto·c. 1527

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