
San Giovanni Crisostomo Altarpiece
Historical Context
Sebastiano del Piombo's San Giovanni Crisostomo Altarpiece from around 1510 was painted for the church of San Giovanni Crisostomo in Venice before his move to Rome — his last major Venetian work and one of the finest altarpieces produced in Venice in the early sixteenth century. The subject combines the standing saints of Venetian sacra conversazione tradition with a landscape setting influenced by Giorgione. Sebastiano brings to this Venetian format a monumental gravity and spatial ambition that anticipates the direction his work would take after contact with Raphael and Michelangelo in Rome. The altarpiece remains in its original church, one of the few major Venetian altarpieces to survive intact in its intended setting.
Technical Analysis
Sebastiano's synthesis of Bellini's luminous color with Giorgione's atmospheric sfumato creates a richly tonal composition, while the large-scale figures anticipate the Roman grandeur he would soon embrace.
See It In Person
More by Sebastiano del Piombo

Christ Carrying the Cross
Sebastiano del Piombo·c. 1515–17

Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)
Sebastiano del Piombo (Sebastiano Luciani)·1519

Portrait of a Young Woman as a Wise Virgin
Sebastiano del Piombo·c. 1510

Cardinal Bandinello Sauli, His Secretary, and Two Geographers
Sebastiano del Piombo·1516



