
Pietà
Historical Context
Sebastiano del Piombo's Pietà from around 1516, created for the Museo Civico in Viterbo, belongs to the series of devotional paintings he produced in collaboration with Michelangelo's designs — the older artist providing drawings that Sebastiano translated into painted form. The Pietà was a subject central to Christian devotion, and Sebastiano's version combines Michelangelo's sculptural conception of the dead Christ with his own Venetian sensibility for color, atmospheric light, and landscape setting. The collaboration with Michelangelo was one of the most productive artistic partnerships of the High Renaissance, and the Viterbo Pietà is one of its most powerful results.
Technical Analysis
The monumental, sculptural forms reflect Michelangelo's influence while Sebastiano's Venetian training emerges in the rich, deep coloring and atmospheric landscape backdrop.
See It In Person
More by Sebastiano del Piombo

Christ Carrying the Cross
Sebastiano del Piombo·c. 1515–17

Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)
Sebastiano del Piombo (Sebastiano Luciani)·1519

Portrait of a Young Woman as a Wise Virgin
Sebastiano del Piombo·c. 1510

Cardinal Bandinello Sauli, His Secretary, and Two Geographers
Sebastiano del Piombo·1516



