
Polyphemus
Historical Context
Sebastiano del Piombo painted his Polyphemus around 1512 as part of the fresco decoration of the Villa Farnesina, Agostino Chigi's magnificent Roman villa, alongside Raphael's Galatea. Polyphemus — the one-eyed Cyclops of Homer's Odyssey — was depicted in his pastoral mode, singing to the sea nymph Galatea across the water, an image of unrequited love rendered in the grand manner of classical myth. Working alongside Raphael on the same villa's loggia was a direct competitive challenge; Sebastiano's Polyphemus, compared to Raphael's nearby Galatea, demonstrates both his ability to compete at the highest level and his more monumental, Michelangelesque approach to the heroic nude figure.
Technical Analysis
The monumental figure combines Venetian colorism from Sebastiano's training under Bellini with the sculptural form he absorbed from Michelangelo in Rome, a synthesis that defines his mature style.
See It In Person
More by Sebastiano del Piombo

Christ Carrying the Cross
Sebastiano del Piombo·c. 1515–17

Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)
Sebastiano del Piombo (Sebastiano Luciani)·1519

Portrait of a Young Woman as a Wise Virgin
Sebastiano del Piombo·c. 1510

Cardinal Bandinello Sauli, His Secretary, and Two Geographers
Sebastiano del Piombo·1516



