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Sandei Altarpiece by Gentile da Fabriano

Sandei Altarpiece

Gentile da Fabriano·1410

Historical Context

The Sandei Altarpiece, painted around 1410, is an early masterwork by Gentile da Fabriano from his formative years working in the Marche region. Named after its original location, the work demonstrates Gentile's already sophisticated command of the International Gothic idiom before his famous travels to Venice and Florence. The painting is now held at the Villa I Tatti, the Harvard University Center for Italian Renaissance Studies in Settignano near Florence. It represents a crucial document for understanding Gentile's artistic development before his landmark Strozzi Altarpiece of 1423.

Technical Analysis

The composition reveals Gentile's early mastery of ornamental surface patterning combined with subtle naturalistic observation. Gold tooling and punch-work create richly textured halos and backgrounds, while the figures show the graceful, swaying postures characteristic of the International Gothic style that Gentile would bring to its highest expression in Italian painting.

See It In Person

Harvard University Center for Italian Renaissance Studies

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Harvard University Center for Italian Renaissance Studies, Florence
View on museum website →

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The Crippled and Sick Cured at the Tomb of Saint Nicholas by Gentile da Fabriano

The Crippled and Sick Cured at the Tomb of Saint Nicholas

Gentile da Fabriano·1425

Adoration of the Three Kings - Birth of Christ by Gentile da Fabriano

Adoration of the Three Kings - Birth of Christ

Gentile da Fabriano·1423

Quaratesi Polyptych by Gentile da Fabriano

Quaratesi Polyptych

Gentile da Fabriano·1425

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