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Virgin with Child and Four Saints by Sassetta

Virgin with Child and Four Saints

Sassetta·1434

Historical Context

Sassetta's Virgin with Child and Four Saints, painted around 1434 for the Diocesan Museum in Cortona, reflects the continued importance of the sacra conversazione format in Sienese painting. Sassetta's poetic sensibility transforms the conventional grouping of Madonna and saints into a vision of quiet spiritual communion. Sassetta — Stefano di Giovanni — was the dominant painter in Siena during the first half of the fifteenth century, maintaining the city's Gothic tradition of refined spirituality and jewel-like color even as Florentine artists were developing the naturalistic revolution of the Early Renaissance.

Technical Analysis

The saints flank the central Madonna in a balanced composition unified by Sassetta's characteristic soft color harmonies and delicate linear rhythms, creating an atmosphere of devotional tranquility within the gold-ground panel format.

See It In Person

Diocesan Museum in Cortona

Cortona, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
172 × 257 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Diocesan Museum in Cortona, Cortona
View on museum website →

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Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome by Sassetta

Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome

Sassetta·1430

St. Anthony Beaten by Devils by Sassetta

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