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Port-en-Bessin, outer harbour, high tide by Georges Seurat

Port-en-Bessin, outer harbour, high tide

Georges Seurat·1888

Historical Context

Port-en-Bessin, Outer Harbour, High Tide (1888) is one of the six paintings Seurat made at the Normandy fishing harbour during the summer of 1888, immediately after completing Le Chahut's preparatory work. The view at high tide, with boats floating level with the harbour walls and the distant cliffs framing an open sea, gave Seurat one of his most formally resolved marine compositions. The series confirmed divisionism's capacity to render the luminous, subtle effects of Norman coastal weather. Now at the Musée d'Orsay.

Technical Analysis

Horizontal bands of cliff, wall, water, and sky are unified by an even dot-work surface. The warm ochre of stone is separated from cool blue-green water by Seurat's careful application of simultaneous contrast. The high tide fills the composition with reflective water, giving maximum surface to divisionist optical mixing.

See It In Person

Musée d'Orsay

Paris, France

Visit museum website →

Quick Facts

Medium
oil paint
Dimensions
Unknown
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Musée d'Orsay, Paris
View on museum website →

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Young Woman Powdering Herself (Study) by Georges Seurat

Young Woman Powdering Herself (Study)

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