
The Raising of Lazarus
Historical Context
Sebastiano del Piombo's Raising of Lazarus, completed around 1517-1519, was commissioned by Cardinal Giulio de' Medici as a direct competition with Raphael's Transfiguration — both large altarpieces intended for Narbonne Cathedral, both displayed simultaneously at the Vatican before shipment. Michelangelo assisted Sebastiano with the composition and some of the figures, investing the work with a Michelangelesque monumentality that contrasted with Raphael's more graceful approach. The direct competitive comparison between the two altarpieces — judged publicly with both works displayed together — was won by Raphael in critical opinion, though Sebastiano's Lazarus remained a work of extraordinary power that influenced subsequent treatments of the miracle.
Technical Analysis
The monumental composition combines Michelangelesque figural grandeur with Sebastiano's Venetian colorism, creating a powerfully dramatic scene where the newly risen Lazarus twists toward the light of Christ.
See It In Person
More by Sebastiano del Piombo

Christ Carrying the Cross
Sebastiano del Piombo·c. 1515–17

Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)
Sebastiano del Piombo (Sebastiano Luciani)·1519

Portrait of a Young Woman as a Wise Virgin
Sebastiano del Piombo·c. 1510

Cardinal Bandinello Sauli, His Secretary, and Two Geographers
Sebastiano del Piombo·1516



