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Portrait of Folco Portinari by Hans Memling

Portrait of Folco Portinari

Hans Memling·1487

Historical Context

Memling's Portrait of Folco Portinari from 1487 depicts the Florentine banking agent who managed the Medici bank's operations in Bruges — one of the most significant Florentine families in Bruges's commercial and artistic life. The Portinari family was central to the transmission of Flemish painting to Florence: Tomasso Portinari had commissioned Hugo van der Goes's great altarpiece (now the Portinari Triptych in the Uffizi) that transformed Florentine awareness of Flemish pictorial possibilities. Folco's portrait by Memling, painted eighteen years after Hugo's great altarpiece, documents the continuing connection between the Portinari family and Bruges's leading painters.

Technical Analysis

Memling renders the Italian banker with his characteristic precision and gentleness, using smooth flesh tones and a subdued palette that focuses attention on the sitter's individualized features.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
25 × 35 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Portrait
Location
Uffizi Gallery, Florence
View on museum website →

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Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456) by Hans Memling

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)

Hans Memling·ca. 1470

Virgin and Child by Hans Memling

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Hans Memling·c. 1485

Portrait of a Donor (recto); Saint Anthony of Padua (verso) by Hans Memling

Portrait of a Donor (recto); Saint Anthony of Padua (verso)

Hans Memling·c. 1485

The Annunciation by Hans Memling

The Annunciation

Hans Memling·ca. 1465–70

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