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Marie Antoinette with a Rose by Élisabeth Louise Vigée Le Brun

Marie Antoinette with a Rose

Élisabeth Louise Vigée Le Brun·1783

Historical Context

Élisabeth Louise Vigée Le Brun painted Marie Antoinette with a Rose in 1783, one of her most celebrated portraits of the French queen and the work that cemented her position as the queen's preferred portraitist. The composition shows Marie Antoinette in a simplified dress — deliberately less elaborate than the formal court portrait convention — with a single rose, the informality part of the reforming image Vigée Le Brun and the queen were attempting to project after critics had ridiculed an earlier portrait for its elaborate dress. The luminous skin tones, the warm, atmospheric background, and the delicate rendering of the rose all demonstrate the technical qualities that made Vigée Le Brun the most sought-after female portraitist in Europe.

Technical Analysis

Vigée Le Brun renders the queen with luminous flesh tones and a soft, flattering light that enhances her beauty. The rose provides a focal point of warm color, while the informal dress and natural handling show the influence of English portrait conventions.

See It In Person

Museum of the History of France

Versailles, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
113 × 87 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Museum of the History of France, Versailles
View on museum website →

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Madame d'Aguesseau de Fresnes by Élisabeth-Louise Vigée Le Brun

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The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth Louise Vigée Le Brun

Madame du Barry

Élisabeth Louise Vigée Le Brun·1782

Marie Antoinette and Her Children by Élisabeth Louise Vigée Le Brun

Marie Antoinette and Her Children

Élisabeth Louise Vigée Le Brun·1787

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