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Philip, Lord Wharton by Anthony van Dyck

Philip, Lord Wharton

Anthony van Dyck·1632

Historical Context

Philip, Lord Wharton from 1632 depicts an English nobleman during Van Dyck's years as court painter to Charles I. The portrait helped establish the English tradition of aristocratic portraiture that would dominate British art for two centuries. Van Dyck's portraits defined aristocratic self-presentation across Europe, his elongated elegance and atmospheric painting technique establishing a model for formal portraiture that dominated British art until the nineteenth century.

Technical Analysis

Van Dyck renders the young nobleman with characteristic aristocratic grace, using a fluid, silvery palette and elegant pose that established the visual language of English courtly portraiture.

Look Closer

  • ◆Notice the fluid, silvery palette and elegant pose establishing the visual language of English courtly portraiture.
  • ◆Look at how this 1632 portrait helped establish the English tradition of aristocratic portraiture dominating British art for two centuries.
  • ◆Observe the characteristic aristocratic grace Van Dyck brought to the young nobleman.

See It In Person

Andrew W. Mellon collection

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
133 × 106 cm
Era
Baroque
Style
Flemish Baroque
Genre
Portrait
Location
Andrew W. Mellon collection, Washington, D.C.
View on museum website →

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Man with a Ruff by Anthony van Dyck

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Anthony van Dyck·17th century

James Stuart (1612–1655), Duke of Richmond and Lennox by Anthony van Dyck

James Stuart (1612–1655), Duke of Richmond and Lennox

Anthony van Dyck·ca. 1633–35

Portrait of a Man by Follower of Anthony van Dyck

Portrait of a Man

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The Vision of Saint Francis by Lodovico Carracci

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Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

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