
The Finding of Vulcan on Lemnos
Piero di Cosimo·1490
Historical Context
Piero di Cosimo's Finding of Vulcan on Lemnos depicts the myth of the lame smith-god's discovery by the island's nymphs after his ejection from Olympus — another episode in the mythological series of early civilization that Piero painted for Florentine humanist patrons. The painting's landscape, populated with eccentric animals and semi-human figures, demonstrates Piero's unique combination of Flemish precision in rendering natural detail with an Ovidian narrative imagination unlike anything in contemporary Italian painting. The work is held at the Wadsworth Atheneum in Hartford, Connecticut, which acquired it as part of building one of America's finest early Italian painting collections.
Technical Analysis
The painting reveals skilled handling of tempera medium in the graduated modeling of drapery and flesh tones, with the balanced composition and clear spatial organization typical of established Italian workshop methods.
See It In Person
More by Piero di Cosimo

Virgin and Child with the Young Saint John the Baptist, Saint Cecilia, and Angels
Piero di Cosimo·c. 1505

The Return from the Hunt
Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)·ca. 1494–1500

Allegory
Piero di Cosimo·probably c. 1500

The Visitation with Saint Nicholas and Saint Anthony Abbot
Piero di Cosimo·c. 1489/1490



