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San Francesco by Carlo Crivelli

San Francesco

Carlo Crivelli·1471

Historical Context

San Francesco (1471) by Carlo Crivelli demonstrates the extraordinary technical ambition of this Venetian painter who worked in deliberate isolation from fashionable Italian trends. Exiled from Venice for unspecified crimes in 1457, Crivelli spent his career serving Adriatic patrons in the Marche, developing an intensely personal idiom that combined the most advanced Renaissance anatomical knowledge with a Gothic decorative opulence his patrons valued over modernism. His ornate altarpieces—with tooled gold, applied gesso, and elaborate symbolic still-life elements—represent a unique achievement that had no parallel in contemporary Italian painting.

Technical Analysis

Executed with skilled technique and attention to careful observation, the work reveals Carlo Crivelli's characteristic approach to composition and surface. The treatment of light and the careful modulation of color create visual richness within a unified pictorial scheme.

See It In Person

Royal Museums of Fine Arts of Belgium

Brussels, Belgium

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
180 × 54 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Royal Museums of Fine Arts of Belgium, Brussels
View on museum website →

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The Crucifixion by Carlo Crivelli

The Crucifixion

Carlo Crivelli·c. 1487

Madonna and Child Enthroned by Carlo Crivelli

Madonna and Child Enthroned

Carlo Crivelli·1472

Saint George by Carlo Crivelli

Saint George

Carlo Crivelli·1472

Saint Dominic by Carlo Crivelli

Saint Dominic

Carlo Crivelli·1472

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