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Saint Anthony Abbot Tempted by a Heap of Gold by Master of the Osservanza

Saint Anthony Abbot Tempted by a Heap of Gold

Master of the Osservanza·1435

Historical Context

The Master of the Osservanza's Saint Anthony Abbot Tempted by a Heap of Gold at the Metropolitan Museum belongs to one of the finest narrative cycles in fifteenth-century Sienese painting. The episode depicts the desert father encountering gold on his path, a devilish trap to divert him from spiritual perfection. This work belongs to the Early Renaissance, the transformative period in European art when painters first applied mathematical perspective, naturalistic figure modeling, and archaeological interest in antiquity to the inherited traditions of medieval devotional painting. The tension between Gothic grace and Renaissance structure gives art of this period a distinctive energy.

Technical Analysis

The desert landscape is rendered with poetic simplicity, the solitary saint confronting the pile of gold in a composition of austere beauty, painted in the Master's characteristic luminous palette with delicate figure modeling.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
47 × 33.7 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

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Madonna and Child Enthroned with Two Cherubim by Master of the Osservanza

Madonna and Child Enthroned with Two Cherubim

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Saint Anthony Abbey by Master of the Osservanza

Saint Anthony Abbey

Master of the Osservanza·1435

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

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