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Annunciation Triptych by Carlo Braccesco

Annunciation Triptych

Carlo Braccesco·1495

Historical Context

Carlo Braccesco created this work around 1495, now in the Department of Paintings of the Louvre. The Annunciation was one of the most frequently depicted scenes in Renaissance art, symbolizing the moment of the Incarnation and the beginning of human salvation. The High Renaissance period saw significant artistic innovation across Europe, with painters developing new techniques for representing the visible world with unprecedented naturalism and spatial coherence.

Technical Analysis

The hinged triptych structure allows for a layered viewing experience, with exterior grisaille or simpler imagery giving way to the richly colored interior scenes when the wings are opened for worship.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Tempera
Dimensions
158 × 107 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Carlo Braccesco

Saint Étienne et saint Ange le carme by Carlo Braccesco

Saint Étienne et saint Ange le carme

Carlo Braccesco·1450

L'Annonciation by Carlo Braccesco

L'Annonciation

Carlo Braccesco·1450

Saint Benoît et saint Augustin by Carlo Braccesco

Saint Benoît et saint Augustin

Carlo Braccesco·1450

Four Doctors of the Church by Carlo Braccesco

Four Doctors of the Church

Carlo Braccesco·1495

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto

Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515