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Venus, Mars and Cupid by Piero di Cosimo

Venus, Mars and Cupid

Piero di Cosimo·1505

Historical Context

Venus, Mars and Cupid by Piero di Cosimo, dated around 1505 and now in Berlin's Gemäldegalerie, depicts the mythological love triangle that was among the most popular subjects in Renaissance Italian painting — Venus, goddess of love, in an intimate scene with Mars, god of war, while Cupid attends or plays nearby. The subject had been painted by Botticelli, and the Berlin panel shows Piero di Cosimo's individual approach to this well-worn theme. Mars's disarming by Venus — the power of love subduing the power of war — carried both mythological and moral meaning; the scene was also a standard commission for newly married couples as a celebration of love's triumph. The Gemäldegalerie Berlin holds a major collection of Renaissance Italian and Northern European paintings.

Technical Analysis

Oil on panel with Piero's characteristic treatment of mythological figures in landscape — the reclining or resting Mars, the alert Venus, and Cupid rendered with precise observation alongside the fantastical setting. His animal detail often extends mythological paintings with rabbits, birds, or other creatures occupying the landscape margins as naturalistic observers of divine drama.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
72 × 182 cm
Era
High Renaissance
Style
High Renaissance
Genre
Mythology
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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The Return from the Hunt by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)

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Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)·ca. 1494–1500

Allegory by Piero di Cosimo

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Piero di Cosimo·probably c. 1500

The Visitation with Saint Nicholas and Saint Anthony Abbot by Piero di Cosimo

The Visitation with Saint Nicholas and Saint Anthony Abbot

Piero di Cosimo·c. 1489/1490

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

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