
Christina of Denmark, Duchess of Milan
Historical Context
Holbein's Christina of Denmark, Duchess of Milan (1538) at the National Gallery, London, was painted as part of Henry VIII's search for a fourth wife after the death of Jane Seymour. Holbein traveled to Brussels specifically to make this portrait study of the sixteen-year-old duchess, reportedly spending only three hours with the sitter before returning to London with his drawings. The resulting full-length portrait — one of Holbein's most elegant and formally accomplished — presents Christina with a luminous silvery palette against a plain blue ground, the widow's black dress creating a formal simplicity that heightens the directness of the sitter's gaze. Christina reportedly remarked that if she had two heads, one would be at the King of England's disposal.
Technical Analysis
The full-length format against a plain background creates a striking silhouette of the young duchess in mourning black, with Holbein capturing her composed beauty and quiet self-possession with remarkable economy.
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