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Virgin Suckling the Child by Hans Memling

Virgin Suckling the Child

Hans Memling·1488

Historical Context

This Virgin Suckling the Child (Maria Lactans), around 1488, by Memling, depicts one of the most intimate subjects in Christian art. The nursing Madonna emphasizes both the humanity of Christ and the maternal role of the Virgin in the Incarnation Hans Memling brought serene, refined beauty to Flemish devotional painting, becoming the leading artist in Bruges after the death of van der Weyden The Virgin Mary occupied a central place in late medieval and Renaissance piety, venerated as intercesso

Technical Analysis

The intimate subject is rendered with tenderness and delicacy, the Virgin's features refined and serene. Memling's meticulous technique captures the soft flesh of the infant with extraordinary sensitivity.

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Quick Facts

Medium
Oil on panel
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
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Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456) by Hans Memling

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456)

Hans Memling·ca. 1470

Virgin and Child by Hans Memling

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Hans Memling·c. 1485

Portrait of a Donor (recto); Saint Anthony of Padua (verso) by Hans Memling

Portrait of a Donor (recto); Saint Anthony of Padua (verso)

Hans Memling·c. 1485

The Annunciation by Hans Memling

The Annunciation

Hans Memling·ca. 1465–70

More from the Early Renaissance Period

Pietà by Cosimo Tura

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Cosimo Tura·1475/1500

Virgin and Child by Giovanni Bellini

Virgin and Child

Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450