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A Road at Saint-Remy with Female Figure by Vincent van Gogh

A Road at Saint-Remy with Female Figure

Vincent van Gogh·1889

Historical Context

A Road at Saint-Rémy with Female Figure (1889) is one of Van Gogh's asylum paintings — made during his year of voluntary confinement at Saint-Paul-de-Mausole, where the landscape of olive trees, wheat fields, and ancient roads provided inexhaustible subject matter. The female figure — unusual in the largely unpopulated Saint-Rémy landscapes — gives the road a human scale and narrative suggestion. The Kasama Nichidō Museum in Japan holds this work, reflecting the deep Japanese connection to Van Gogh's art — the country whose woodblock prints had influenced him most profoundly was also among the first to recognize and collect his greatness.

Technical Analysis

Van Gogh builds the Provençal road in his characteristic Saint-Rémy technique — heavily worked impasto, swirling directional strokes in the sky and surrounding vegetation, the road itself rendered in warm ochres and yellows. The figure is more simply painted, providing a still point in the energized landscape.

See It In Person

Kasama Nichidō Museum of Art

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Religious
Location
Kasama Nichidō Museum of Art,
View on museum website →

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Bedroom in Arles by Vincent van Gogh

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Orchards in blossom, view of Arles by Vincent van Gogh

Orchards in blossom, view of Arles

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885