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La Mort de la Vierge by Master of Amiens

La Mort de la Vierge

Master of Amiens·1524

Historical Context

The Master of Amiens's La Mort de la Vierge — the Death of the Virgin, or Dormition — dated 1524 and held in the Museum Mayer van den Bergh in Antwerp, depicts the most exalted moment in Marian narrative: the passing of the Virgin from earthly life surrounded by the apostles, before her Assumption into heaven. The Dormition was among the most theologically rich and compositionally ambitious subjects in the devotional canon, requiring the organization of a large group of apostle figures around the dying Virgin's bed, often with a heavenly vision above. The Antwerp holding situates this northern French master's work in a major Flemish collection.

Technical Analysis

The Dormition composition organizes the twelve apostles around the Virgin's recumbent figure, their varied expressions and postures conveying grief, prayer, and reverent awe. The Master of Amiens works in a Flemish-influenced French style with careful individual characterization.

See It In Person

Museum Mayer van den Bergh

Antwerp, Belgium

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
100.4 × 51.7 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Museum Mayer van den Bergh, Antwerp
View on museum website →

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Mary sitting or enthroned, the Christ-child sitting on her knee, surrounded by group and donor Andrien du Pré or Després by Master of Amiens

Mary sitting or enthroned, the Christ-child sitting on her knee, surrounded by group and donor Andrien du Pré or Després

Master of Amiens·1519

The Madonna with the Trinity, numerous biblical persons and donors by Master of Amiens

The Madonna with the Trinity, numerous biblical persons and donors

Master of Amiens·1518

Palme eslute du sauveur pour victoire by Master of Amiens

Palme eslute du sauveur pour victoire

Master of Amiens·1520

Le vray support de toute créature by Master of Amiens

Le vray support de toute créature

Master of Amiens·1522

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