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Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych] by Andrea Vanni

Scenes from the Passion of Christ: The Agony in the Garden, the Crucifixion, and the Descent into Limbo [entire triptych]

Andrea Vanni·1380

Historical Context

Andrea Vanni, a leading painter of late Trecento Siena and close associate of Saint Catherine of Siena, created this Passion triptych around 1380. The three-panel format depicting the Agony in the Garden, Crucifixion, and Descent into Limbo served as a portable devotional object for private meditation on Christ's suffering and redemption. Vanni's work bridges the courtly elegance of Sienese Gothic tradition with the growing narrative expressiveness that characterized late fourteenth-century Italian painting.

Technical Analysis

Executed in egg tempera on panel with extensive gold-leaf ground, the triptych features Vanni's characteristic elongated figures and richly patterned textiles. The hinged format allowed the wings to close over the central Crucifixion, protecting the painted surfaces during transport.

See It In Person

National Gallery of Art

Washington, D.C., United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
56.9 × 116.4 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
National Gallery of Art, Washington, D.C.
View on museum website →

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Virgin and Child by Andrea Vanni

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Crucifixion with the Virgin and Saint John; Above, in spandrel: Virgin of the Annunciation by Andrea Vanni

Crucifixion with the Virgin and Saint John; Above, in spandrel: Virgin of the Annunciation

Andrea Vanni·1400

Madonna and Child by Andrea Vanni

Madonna and Child

Andrea Vanni·1390

Saint Peter by Andrea Vanni

Saint Peter

Andrea Vanni·1390

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Crucifixion by Giotto

Crucifixion

Giotto·1330

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Death of the Virgin by Giotto

Death of the Virgin

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Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

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