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Mahana Ma'a by Paul Gauguin

Mahana Ma'a

Paul Gauguin·1892

Historical Context

Mahana Ma'a — meaning 'rock day' or 'stone day' in Tahitian — is one of the landscape-with-figure compositions Gauguin produced in 1892 during his first Tahitian period. He was methodically documenting different aspects of island life and terrain, using Tahitian titles to emphasise linguistic and cultural distance from European painting conventions. The Cincinnati Art Museum holds this work as part of a collection that assembled significant Post-Impressionist holdings in the early twentieth century, when dealers like Vollard were making Gauguin's Tahitian canvases available to American collectors.

Technical Analysis

The landscape resolves into broad flat passages — warm ochres and oranges for the earth, cooler greens and blues for vegetation — with figures integrated as colour shapes rather than illusionistic presences.

See It In Person

Cincinnati Art Museum

Cincinnati, United States

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Cincinnati Art Museum, Cincinnati
View on museum website →

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In the Waves (Dans les Vagues) by Paul Gauguin

In the Waves (Dans les Vagues)

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The Offering by Paul Gauguin

The Offering

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885