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Portrait of woman in large hat by Pierre Bonnard

Portrait of woman in large hat

Pierre Bonnard·1917

Historical Context

Portrait of Woman in Large Hat, at the Museo Soumaya in Mexico City, dates to 1917 and shows Bonnard's approach to portraiture — informal, luminous, attentive to the decorative potential of costume — during his Intimist maturity. The large hat functions almost as a compositional element in its own right, creating a formal problem that Bonnard resolves through chromatic integration rather than hierarchical emphasis. The Soumaya's collection, assembled by the Slim family, includes several Post-Impressionist works that reflect its systematic acquisition of French modernist art.

Technical Analysis

The hat creates a strong visual mass in the upper portion of the canvas, its form rendered in warm, varied tones that connect it to the broader chromatic atmosphere of the painting. Bonnard handles the face beneath with the same chromatic openness he brings to all surfaces — flesh tones are built from adjacent warm and cool passages rather than conventional academic modelling.

See It In Person

Museo Soumaya

Mexico City, Mexico

Visit museum website →

Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Nabis
Genre
Portrait
Location
Museo Soumaya, Mexico City
View on museum website →

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The Dining Room, Vernonnet by Pierre Bonnard

The Dining Room, Vernonnet

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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