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Aline Chassériau by Théodore Chassériau

Aline Chassériau

Théodore Chassériau·1835

Historical Context

Chassériau's Aline Chassériau of 1835, a portrait of his sister painted when the artist was seventeen, demonstrates his extraordinary precocity as a portraitist, the sitter's psychological presence and the painting's technical assurance far exceeding what might be expected from a teenage student. The portrait captures a young woman with affectionate attention to personality rather than social obligation, the face's slight irregularities preserved rather than smoothed. Chassériau would paint his sister repeatedly throughout his career, their close relationship providing him with a subject free from the formality of commissioned portraiture.

Technical Analysis

The young Chassériau renders his sister's features with a precision and sensitivity remarkable for his age. The warm palette and intimate scale, combined with Ingresque linear clarity, create a portrait of tender familial devotion.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
92.4 × 73.6 cm
Era
Romanticism
Style
French Romanticism
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Saracens and Crusaders by Théodore Chassériau

Saracens and Crusaders

Théodore Chassériau·c. 1846

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850) by Théodore Chassériau

Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

Théodore Chassériau·1841

Desdemona (The Song of the Willow) by Théodore Chassériau

Desdemona (The Song of the Willow)

Théodore Chassériau·1849

The Toilette of Esther by Théodore Chassériau

The Toilette of Esther

Théodore Chassériau·1841

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