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Enthroned Madonna Adoring the Sleeping Christ Child by Giovanni Bellini

Enthroned Madonna Adoring the Sleeping Christ Child

Giovanni Bellini·1475

Historical Context

Giovanni Bellini's Enthroned Madonna Adoring the Sleeping Christ Child, painted around 1475 and now in the Gallerie dell'Accademia, Venice, combines the formal enthroned Madonna format with the intimate motif of the sleeping infant. The sleeping Christ Child carries profound theological significance—prefiguring Christ's death and entombment. Bellini's treatment transforms this sorrowful symbolism into an image of maternal tenderness and contemplative beauty.

Technical Analysis

Bellini's technique in the mid-1470s shows his growing mastery of oil painting, with increasingly warm and blended tones softening the earlier Paduan angularity, particularly evident in the Madonna's gently modeled face.

See It In Person

Gallerie dell'Accademia

Venice, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
120 × 65 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Gallerie dell'Accademia, Venice
View on museum website →

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