
St. Corona
Historical Context
The Master of the Palazzo Venezia Madonna, an anonymous Roman painter active around the mid-14th century, created this panel of Saint Corona, a 2nd-century martyr venerated particularly in Bavaria, Austria, and northern Italy. Corona was invoked against epidemics and for financial matters, and her cult experienced periodic revivals throughout the medieval period. The artist takes his name from a celebrated Madonna panel formerly in the Palazzo Venezia, Rome, and represents a rare example of Trecento Roman painting influenced by both Sienese and Neapolitan traditions.
Technical Analysis
Executed in egg tempera and gold leaf on panel, the work shows the distinctive blend of Byzantine hieratic formality with Gothic naturalism characteristic of 14th-century Roman painting. The figure's frontal presentation and richly patterned drapery recall older traditions while the softer facial modeling reflects contemporary Sienese influence.







