
Saint Louis of Toulouse and Saint Clara
Lippo d'Andrea·1425
Historical Context
Lippo d'Andrea's Saint Louis of Toulouse and Saint Clara, dated around 1425 and now in the Yale University Art Gallery, is a panel from a polyptych by a minor Florentine painter working in the late Gothic tradition. The pairing of Louis of Toulouse — the Franciscan bishop who renounced his claim to the throne of Naples to become a friar — and Saint Clara of Assisi, the founder of the Poor Clares — creates a specifically Franciscan devotional panel. Lippo d'Andrea worked in the circle of Lorenzo di Niccolò and represents the conservative Florentine Gothic tradition that continued to produce devotional panels for Franciscan institutions even as the Renaissance was transforming public art in the city.
Technical Analysis
Lippo d'Andrea employs a gold ground with the standard Florentine Gothic figure style: warm flesh tones, clearly legible attributes, and robes with decorative Gothic drapery folds. Louis in his bishop's vestments and Franciscan habit contrasts with Clara in the habit of the Poor Clares. The figures are rendered with clear devotional legibility.
See It In Person
More by Lippo d'Andrea
_-_Saint_Jerome_(obeverse)%2C_Saint_Nicholas_of_Tolentino_(reverse)_-_MNK_XII-189-a-b_-_National_Museum_Krak%C3%B3w.jpg&width=600)
Saint Jerome (obeverse); Saint Nicholas of Tolentino (reverse)
Lippo d'Andrea·1412
_(attributed_to)_-_Adoration_of_the_Magi_-_P.1966.GP.127_-_Courtauld_Gallery.jpg&width=600)
Adoration of the Magi
Lippo d'Andrea·1400

St. Benedict - The Annunciation - A Kneeling Nun
Lippo d'Andrea·1420

Christ on the Cross with Saints Francis and Onophrius; The Virgin and Child with Saint Lawrence
Lippo d'Andrea·1435



