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Saint John the Baptist by Orcagna

Saint John the Baptist

Orcagna·1355

Historical Context

Orcagna (Andrea di Cione), the dominant artistic personality in mid-fourteenth-century Florence, created this image of Saint John the Baptist around 1355. As painter, sculptor, and architect, Orcagna wielded extraordinary influence over Florentine art, and his monumental, hieratic style defined the post-plague generation's aesthetic. The Baptist held special significance in Florence as the city's patron saint, making depictions of him among the most important commissions available to local painters.

Technical Analysis

Executed in egg tempera on gold-ground panel, the Baptist figure displays Orcagna's characteristic sculptural solidity and austere grandeur. The powerful modeling of the face and the emphatic linearity of the camel-hair garment reflect his mastery of both painting and three-dimensional form.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Yale University Art Gallery, New Haven
View on museum website →

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The Triumph of Death by Orcagna

The Triumph of Death

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Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus by Orcagna

Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus

Orcagna·1350

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Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

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