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A Lion Attacking a Horse by George Stubbs

A Lion Attacking a Horse

George Stubbs·1770

Historical Context

Stubbs's Lion Attacking a Horse from around 1770, painted for Yale's collection, is one of the most powerful expressions of his lion-and-horse theme and a work that brought his most ambitious compositional exploration of the subject to a significant institutional collection. The Yale version deploys a more complex and dynamic figure arrangement than some of his other treatments, with the lion's full weight on the horse's back and the horse's body collapsed in extremis. These lion-attack paintings were recognized in his own time as his most philosophically ambitious works, engaging with the tradition of Stubbs as a painter of natural philosophy as much as sporting documentation. The subject's engagement with natural violence and the struggle for survival gave these works an intellectual dimension that distinguished them within his broader production.

Technical Analysis

The violent encounter between lion and horse is rendered with the same anatomical precision Stubbs brought to his calmer sporting scenes, the terror and aggression of the animals conveyed through scientifically accurate muscular tension and movement.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Neoclassicism
Style
British Neoclassicism
Genre
Animal
Location
Yale University Art Gallery, New Haven
View on museum website →

More by George Stubbs

The Third Duke of Dorset's Hunter with a Groom and a Dog by George Stubbs

The Third Duke of Dorset's Hunter with a Groom and a Dog

George Stubbs·1768

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances by George Stubbs

Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances

George Stubbs·1769

White Poodle in a Punt by George Stubbs

White Poodle in a Punt

George Stubbs·c. 1780

Lions and lioness: rocky background by George Stubbs

Lions and lioness: rocky background

George Stubbs·1776

More from the Neoclassicism Period

Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

Anton Raphael Mengs·1747–48

View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770