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Interior by Édouard Vuillard

Interior

Édouard Vuillard·1893

Historical Context

Interior from 1893, held at the Yale University Art Gallery, is among Vuillard's earliest mature works, painted as he was developing the dense, patterned approach to domestic space that would define his career. Trained alongside Bonnard and Denis under Paul Sérusier, Vuillard took the Nabi lesson about the sovereignty of the picture surface toward a kind of chromatic dissolution: figures and rooms merge into a single patterned field, people indistinguishable from the wallpaper. This early Interior shows that tendency already formed — the figure absorbed into the room's patterns rather than standing out against them.

Technical Analysis

The Nabi principle of the flat surface covered in colors arranged in a certain order is visible in the way pattern and figure compete for visual attention. Perspective is minimal, the room compressed into overlapping areas of fabric, wallpaper, and skin.

See It In Person

Yale University Art Gallery

New Haven, United States

Visit museum website →

Quick Facts

Medium
panel
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
Yale University Art Gallery, New Haven
View on museum website →

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The Promenade in the Harbour by Édouard Vuillard

The Promenade in the Harbour

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Arthur Fontaine by Édouard Vuillard

Arthur Fontaine

Édouard Vuillard·1901

Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885