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Portrait of Countess Nyáryová by László Mednyánszky

Portrait of Countess Nyáryová

László Mednyánszky·1901

Historical Context

Countess Nyáryová sits for Mednyánszky in this 1901 portrait — an unusual commission for a painter more naturally inclined toward landscape and figure studies of social outsiders. Mednyánszky moved in aristocratic circles by birth and social circumstance, and portraits of the nobility were occasionally required of him, even if his heart was elsewhere. The countess's portrait allowed him to demonstrate a technical facility with formal portraiture that coexisted with his more experimental landscape work. The Slovak National Gallery's holdings of his portraits are smaller than those of his landscapes, reflecting the proportions of his actual output.

Technical Analysis

The formal portrait conventions — controlled lighting, careful attention to dress and jewellery — are observed while Mednyánszky introduces a slightly more atmospheric treatment of the background than strict academic portraiture demanded. His brushwork in the face and hands is deliberate and observant rather than the facile elegance of fashionable portraitists.

See It In Person

Slovak National Gallery

Bratislava, Slovakia

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
Slovak National Gallery, Bratislava
View on museum website →

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View of the Ruins of Súľov by László Mednyánszky

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László Mednyánszky·1875

Blue Landscape by László Mednyánszky

Blue Landscape

László Mednyánszky·1875

Dandy in Fur Cap with Pipe by László Mednyánszky

Dandy in Fur Cap with Pipe

László Mednyánszky·1877

Study of a Seated Nude of a Young Man by László Mednyánszky

Study of a Seated Nude of a Young Man

László Mednyánszky·1875

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

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Gardener (Le Jardinier) by Paul Cézanne

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