In Ecstasy

'In Ecstasy,' painted by Milan Thomka Mitrovský around 1900, suggests a subject aligned with the Symbolist interest in altered psychological states—religious ecstasy, trance, or visionary experience—that permeated Central European painting in the 1890s. The title situates the work within the broader Symbolist concern with extremes of inner experience, whether religious or erotic in character. Thomka Mitrovský's Munich training would have exposed him to German Symbolism's preoccupation with the boundaries of consciousness. The Slovak National Gallery holds the work.

The depiction of ecstatic states typically involves upward-directed gaze, extended posture, or dissolving figure-ground boundaries—visual conventions that Thomka Mitrovský adapts from Symbolist precedents. The palette and handling likely emphasise atmospheric softness to reinforce the otherworldly subject.