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Bacchus and Ceres by Sebastiano Ricci

Bacchus and Ceres

Sebastiano Ricci·1710

Historical Context

Bacchus and Ceres — the gods of wine and grain — were frequently paired in mythological painting as an allegory of earthly abundance, with the Latin tag 'sine Cerere et Baccho friget Venus' (without food and wine, love grows cold) providing a learned underpinning. Ricci's treatment from around 1710 reflects his mature command of the Venetian mythological tradition. The subject was well-suited to decorative programs for dining rooms and pleasure villas, where themes of festivity and harvest had obvious appropriateness. Ricci would have drawn on models from Rubens and the northern Baroque tradition as well as his Venetian forebears.

Technical Analysis

The figures of Bacchus and Ceres are likely rendered with characteristic Rococo warmth and sensuality — Bacchus flushed and garlanded with vine leaves, Ceres with golden grain. The color scheme is rich and festive, with deep greens, golds, and warm flesh tones.

See It In Person

Fitzwilliam Museum

Cambridge, United Kingdom

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Quick Facts

Medium
Oil on canvas
Era
Rococo
Genre
Mythology
Location
Fitzwilliam Museum, Cambridge
View on museum website →

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The Baptism of Christ by Sebastiano Ricci

The Baptism of Christ

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The Continence of Scipio

Sebastiano Ricci·c. 1706

The Holy Family with Angels by Sebastiano Ricci

The Holy Family with Angels

Sebastiano Ricci·ca. 1700

Study for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan) by Sebastiano Ricci

Study for "An Apotheosis of a Saint" (for San Bernardino dei Morti, Milan)

Sebastiano Ricci·c. 1695

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