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The Transfiguration by Aelbrecht Bouts

The Transfiguration

Aelbrecht Bouts·1450

Historical Context

The Transfiguration by Aelbrecht Bouts at the Fitzwilliam Museum in Cambridge depicts the moment from the Gospel of Matthew when Christ appears transfigured on a mountaintop, his face shining like the sun, witnessed by Peter, James, and John. Aelbrecht Bouts, son of the celebrated Dieric Bouts, inherited his father's Louvain workshop and continued the carefully refined Flemish religious painting tradition into the 1490s and beyond. The Transfiguration was a subject requiring the artist to represent supernatural radiance — a pictorial challenge that tested the limits of tempera and oil technique.

Technical Analysis

The representation of Christ's supernatural luminosity required Bouts to use gold and white paint to suggest radiance, the figure of Christ surrounded by an aureole of light that the disciples below shade their eyes against. The three witnesses below are rendered in the careful Flemish manner of his father's school, their gestures precisely calculated to convey awe.

See It In Person

Fitzwilliam Museum

Cambridge, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
73.5 × 45.5 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Fitzwilliam Museum, Cambridge
View on museum website →

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Christ Crowned with Thorns by Aelbrecht Bouts

Christ Crowned with Thorns

Aelbrecht Bouts·1500

The Adoration of the Shepherds by Aelbrecht Bouts

The Adoration of the Shepherds

Aelbrecht Bouts·1494

Mater Dolorosa by Aelbrecht Bouts

Mater Dolorosa

Aelbrecht Bouts·1490

Christ by Aelbrecht Bouts

Christ

Aelbrecht Bouts·1490

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