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The Braddyll Family by Joshua Reynolds

The Braddyll Family

Joshua Reynolds·1789

Historical Context

Reynolds's The Braddyll Family from 1789, in the Fitzwilliam Museum, is one of his last major group portraits, painted when the seventy-six-year-old artist was losing his sight. The painting depicts a fashionable young family from Lancashire in a landscape setting with the informal, naturalistic arrangement that characterized Reynolds's approach to family portraiture. Despite his failing vision, Reynolds maintained his ability to orchestrate complex compositions with the warmth and dignity that defined his career.

Technical Analysis

Reynolds groups the family with characteristic informality in a landscape setting. Despite the technical challenges of his declining eyesight, the painting maintains the warm palette and the graceful compositional balance of his earlier family portraits.

Look Closer

  • ◆Notice this was painted when Reynolds was seventy-six and losing his sight — an extraordinary late achievement
  • ◆Look at how the warm palette and graceful arrangement maintain the standard of his earlier family portraits
  • ◆Observe the informal, naturalistic grouping that characterizes Reynolds's most relaxed approach to group portraiture
  • ◆Find the technical challenge of multiple figures all requiring individual characterization within a unified composition
  • ◆Notice the landscape setting giving the family group an outdoor freshness that contrasts with indoor formality

See It In Person

Fitzwilliam Museum

Cambridge, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
238.1 × 147.3 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Landscape
Location
Fitzwilliam Museum, Cambridge
View on museum website →

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The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair by Joshua Reynolds

The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair

Joshua Reynolds·1761–66

Lady Sarah Bunbury Sacrificing to the Graces by Joshua Reynolds

Lady Sarah Bunbury Sacrificing to the Graces

Joshua Reynolds·1763–65

Sir Thomas Rumbold, Bt. by Joshua Reynolds

Sir Thomas Rumbold, Bt.

Joshua Reynolds·1788

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham by Joshua Reynolds

Thomas (1740–1825) and Martha Neate (1741–after 1795) with His Tutor, Thomas Needham

Joshua Reynolds·1748

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Portrait of the Artist's Father, Ismael Mengs by Anton Raphael Mengs

Portrait of the Artist's Father, Ismael Mengs

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View on the River Roseau, Dominica by Agostino Brunias

View on the River Roseau, Dominica

Agostino Brunias·1770–80

Manuel Godoy by Agustin Esteve y Marqués

Manuel Godoy

Agustin Esteve y Marqués·1800–8

Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

Alessandro Longhi·c. 1770