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Virgin and Child enthroned by Lorenzo Monaco

Virgin and Child enthroned

Lorenzo Monaco·1400

Historical Context

Lorenzo Monaco's Virgin and Child Enthroned at the Fitzwilliam Museum, painted around 1400, presents the standard devotional subject with the decorative splendor that made him Florence's most sought-after painter before the advent of Masaccio. This early work already demonstrates the luminous palette and sinuous line that define his mature style. Lorenzo Monaco — Piero di Giovanni — was a Camaldolese monk who became one of Florence's most gifted painters in the transition between the Gothic and the Early Renaissance.

Technical Analysis

The enthroned Madonna is rendered with Lorenzo Monaco's characteristic flowing draperies and luminous color, the gold ground and elaborate tooling creating a surface of exceptional decorative richness.

See It In Person

Fitzwilliam Museum

Cambridge, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
32.4 × 21.2 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Fitzwilliam Museum, Cambridge
View on museum website →

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Madonna by Lorenzo Monaco

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Virgin and Child on the Throne with Six Angels by Lorenzo Monaco

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Madonna of Humility by Lorenzo Monaco

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Lorenzo Monaco·1415

Christ in the Garden of Gethsemane; The Three Marys at the Tomb by Lorenzo Monaco

Christ in the Garden of Gethsemane; The Three Marys at the Tomb

Lorenzo Monaco·1408

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