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Napoleon Bonaparte on Board the 'Bellerophon' in Plymouth Sound by Charles Lock Eastlake

Napoleon Bonaparte on Board the 'Bellerophon' in Plymouth Sound

Charles Lock Eastlake·1815

Historical Context

Charles Lock Eastlake's Napoleon Bonaparte on Board the Bellerophon of 1815 depicts the fallen emperor's surrender following his defeat at Waterloo, showing him on the deck of the British warship that received him off Rochefort as he sought British asylum. Eastlake was at Plymouth when the Bellerophon anchored in the Sound, and he made studies of Napoleon on deck as crowds of small boats surrounded the ship. The painting documents one of history's most dramatic moments of political humiliation, capturing Napoleon's stoic bearing in defeat. Eastlake's eyewitness observation gave the work documentary authenticity unusual in history painting.

Technical Analysis

Eastlake's composition captures the unique drama of the scene with careful attention to the ship and the surrounding boats. The portrait of Napoleon, based on Eastlake's direct observation from a nearby vessel, gives the painting particular documentary authority.

See It In Person

Royal Museums Greenwich

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
259.1 × 179 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
History
Location
Royal Museums Greenwich, London
View on museum website →

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The Trajan Forum, Rome by Charles Lock Eastlake

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A Peasant Woman Fainting from the Bite of a Serpent by Charles Lock Eastlake

A Peasant Woman Fainting from the Bite of a Serpent

Charles Lock Eastlake·1831

An Italian Contadina and Her Children by Charles Lock Eastlake

An Italian Contadina and Her Children

Charles Lock Eastlake·1823

A View of Trajan's Forum, Rome by Charles Lock Eastlake

A View of Trajan's Forum, Rome

Charles Lock Eastlake·1821

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