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Crucifixion Diptych
Historical Context
Rogier van der Weyden's Crucifixion Diptych, painted around 1460 and now in the Philadelphia Museum of Art, presents the Crucifixion in a stark, emotionally concentrated format. The diptych shows the crucified Christ on one panel and the mourning Virgin and Saint John on the other. Rogier's genius for compressing maximum emotional impact into minimal compositional means is fully evident in this late work, where the plain backgrounds focus all attention on the figures' grief.
Technical Analysis
Rogier achieves powerful emotional impact through radical simplification, with the figures isolated against plain backgrounds and the focus entirely on expressive gesture, flowing drapery, and the intense grief of the mourners.
See It In Person
More by Rogier van der Weyden

Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)
Rogier van der Weyden·1460–64

Virgin and Child
Rogier van der Weyden·1454

Virgin and Child
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)·ca. 1480–90

The Holy Family with Saint Paul and a Donor
Rogier van der Weyden·1430



