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Turm der blauen Pferde by Franz Marc

Turm der blauen Pferde

Franz Marc·1913

Historical Context

'Turm der blauen Pferde' (Tower of Blue Horses) from 1913 is one of the most famous works in German Expressionism — or rather, it is famous as a lost masterpiece, its whereabouts unknown since the Second World War. The original large-format canvas was considered by Marc himself among his finest achievements, and its loss represents one of the most significant cultural casualties of twentieth-century European history. The work depicts four blue horses rising one above another in a vertical composition that is simultaneously a celebration of equine vitality and a monument to spiritual aspiration — the tower of horses reaching upward like a Gothic cathedral of living bodies. Marc's blue horses are perhaps his most iconic subject: blue carried the highest spiritual meaning in his colour symbolism, associated with the masculine, spiritual principle and with the transcendence of material existence. The horses do not stand in a landscape but seem to inhabit a mystical or archetypal space, their bodies patterned with the light and movement of a world perceived from within rather than observed from without. The Staatliche Graphische Sammlung in Munich holds related works and studies, part of the effort to document what the original painting contained.

Technical Analysis

Oil on canvas — the original large format — with Marc's mature technique of bold colour planes and Cubist-influenced fragmentation of form. The blue horses would have been built up through layers of the deeply saturated blue that was Marc's most spiritually meaningful colour, with the horses' bodies described through intersecting planes of varying blue tonalities and contrasting colours.

Look Closer

  • ◆Blue was Marc's highest spiritual colour — the tower of blue horses is a monument to transcendence rendered in animal form
  • ◆The vertical stacking of four horses creates a quasi-architectural structure that suggests a cathedral or spiritual monument rather than a natural grouping
  • ◆The horses' bodies are patterned with the marks of light and cosmic energy, suggesting they inhabit a spiritual rather than physical space
  • ◆This is one of the most significant lost paintings of the twentieth century — what survives in documentation and studies makes the loss acutely felt

See It In Person

Staatliche Graphische Sammlung München

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Quick Facts

Medium
Oil on canvas
Dimensions
Unknown
Era
Post-Impressionism
Genre
Genre
Location
Staatliche Graphische Sammlung München,
View on museum website →

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Mountains by Franz Marc

Mountains

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Landschaft mit rotem Tier by Franz Marc

Landschaft mit rotem Tier

Franz Marc·1913

Lying bull by Franz Marc

Lying bull

Franz Marc·1913

Little monkey on a cart by Franz Marc

Little monkey on a cart

Franz Marc·1906

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885