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George Harry Grey, 5th Earl of Stamford (1737-1819) by George Romney

George Harry Grey, 5th Earl of Stamford (1737-1819)

George Romney·1791

Historical Context

George Romney's George Harry Grey, 5th Earl of Stamford (1737-1819) (1791) demonstrates the vitality of eighteenth-century British painting during the tumultuous era of the French Revolution and Napoleonic Wars. As one of the three great English portrait painters of the later eighteenth century alongside Reynolds and Gainsborough, George Romney approaches the subject with elegant simplicity and luminous complexions, producing a work of both technical accomplishment and expressive power.

Technical Analysis

The painting showcases George Romney's luminous complexions, with classical poses lending the work its distinctive character. The palette and brushwork are calibrated to serve the subject matter, demonstrating the technical command expected of a work from this period.

See It In Person

National Trust

Various, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
124.5 × 99.1 cm
Era
Neoclassicism
Style
British Neoclassicism
Genre
Portrait
Location
National Trust, Various
View on museum website →

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Mrs. Francis Russell by George Romney

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Portrait of a Woman, Said to Be Emily Bertie Pott (died 1782)

George Romney·1781

Admiral Sir Chaloner Ogle (1726–1816) by George Romney

Admiral Sir Chaloner Ogle (1726–1816)

George Romney·1754

Portrait of a Man by George Romney

Portrait of a Man

George Romney·1754

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Portrait of a Musician by Alessandro Longhi

Portrait of a Musician

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