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A Burial at Ornans by Gustave Courbet

A Burial at Ornans

Gustave Courbet·1841

Historical Context

Courbet's A Burial at Ornans of 1849-50 depicts the funeral of his great-uncle in the small Franche-Comté town where he was born, presenting approximately fifty life-sized ordinary people — farmers, craftsmen, priests, and gravediggers — assembled around an open grave. The enormous scale — fourteen feet high and twenty-two feet wide — was reserved for history painting, and Courbet's application of this grandeur to an unremarkable provincial funeral was the most provocative act in French Realism's challenge to academic hierarchy. The painting was mocked and denounced at the 1851 Salon but immediately recognized as transformative.

Technical Analysis

Courbet's dark, earthy palette and thick paint application create a somber frieze of mourners against the rocky landscape. The deliberately anti-heroic composition avoids a focal point, treating all figures with equal democratic weight.

See It In Person

Musée d'Orsay

Paris, France

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Quick Facts

Medium
Oil paint
Era
Romanticism
Style
French Romanticism
Genre
History
Location
Musée d'Orsay, Paris
View on museum website →

More by Gustave Courbet

Study of a Nude Man by Gustave Courbet

Study of a Nude Man

Gustave Courbet·early 1840s

The Brook of Les Puits-Noir by Gustave Courbet

The Brook of Les Puits-Noir

Gustave Courbet·c. 1855

Woman in a Riding Habit (L'Amazone) by Gustave Courbet

Woman in a Riding Habit (L'Amazone)

Gustave Courbet·ca. 1855–59

The Painter's Studio by Gustave Courbet

The Painter's Studio

Gustave Courbet·1850

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

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Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836