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St Jerome and the Lion
Historical Context
Rogier van der Weyden's Saint Jerome and the Lion, painted around 1450 and now in the Detroit Institute of Arts, depicts the Church Father extracting a thorn from the lion's paw—the episode that bound the lion to Jerome in eternal gratitude. Rogier's treatment places the scholarly saint in a detailed study interior, connecting the legend of the lion's taming with Jerome's primary identity as a translator and theologian. The painting combines narrative charm with devotional gravity.
Technical Analysis
Rogier renders the interior study with precise Netherlandish detail, capturing the textures of books, furniture, and fabrics while the interaction between saint and lion is rendered with characteristic restraint and compositional elegance.
See It In Person
More by Rogier van der Weyden

Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso)
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Virgin and Child
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Virgin and Child
Follower of Rogier van der Weyden (Master of the Saint Ursula Legend Group, Netherlandish, active late 15th century)·ca. 1480–90

The Holy Family with Saint Paul and a Donor
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