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The second Hall by Gerhard Munthe

The second Hall

Gerhard Munthe·1900

Historical Context

The second hall is one of several architectural interior paintings Gerhard Munthe made that form part of his Åsmund narrative cycle, depicting the interconnected halls of the underground king's realm in the Old Norse folk tale. These architectural spaces — defined by their visual grandeur and their function as stages for supernatural encounter — required Munthe to develop a decorative vocabulary for the uncanny interior that drew on Norse art and mythology without resorting to naturalistic illusionism. The National Museum of Art, Architecture and Design holds the series as a key document of Norwegian national Romanticism.

Technical Analysis

Munthe treats the hall interior with the same flattened, decorative approach used throughout his Åsmund series, using bold colour fields and simplified architectural forms to evoke the mythological grandeur of the underground realm. Ornamental details draw on Norse decorative traditions.

See It In Person

National Museum of Art, Architecture and Design

Oslo, Norway

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Architectural
Location
National Museum of Art, Architecture and Design, Oslo
View on museum website →

More by Gerhard Munthe

View of the Rhine near Düsseldorf by Gerhard Munthe

View of the Rhine near Düsseldorf

Gerhard Munthe·1875

High Mountains by Gerhard Munthe

High Mountains

Gerhard Munthe·1885

Waterfall at Stange in Hedmark by Gerhard Munthe

Waterfall at Stange in Hedmark

Gerhard Munthe·1886

At the Well by Gerhard Munthe

At the Well

Gerhard Munthe·1886

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885