Portrait of Hans Lissalcz

Executed in 1528, this portrait exemplifies the portrait tradition that Barthel Beham contributed to within the High Renaissance. Painted at the height of the High Renaissance, the work balances individual likeness with the idealized presentation expected by sixteenth-century patrons. Created during the High Renaissance, this work belongs to a period of supreme artistic confidence, when painters commanded the full range of perspective, anatomy, color, and composition.

Tempera technique, reflecting earlier traditions, the portrait demonstrates Barthel Beham's command of skilled technique and careful observation. The careful modeling of the face reveals close study of the sitter's physiognomy, while the treatment of costume and setting projects appropriate social standing.