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Self-Portrait as Saint Catherine of Alexandria by Artemisia Gentileschi

Self-Portrait as Saint Catherine of Alexandria

Artemisia Gentileschi·1616

Historical Context

Artemisia Gentileschi painted Self-Portrait as Saint Catherine of Alexandria around 1616, depicting herself in the guise of the early Christian martyr who, according to legend, defeated fifty pagan philosophers in debate before her execution. Catherine's attributes — the spiked wheel of her martyrdom, the palm frond of martyrdom — identify the subject, while the face is recognizably Artemisia's own from comparison with other self-portraits. The choice of Catherine — an educated woman who used her intellect to defend Christianity — as the guise for a self-portrait was surely deliberate: Artemisia identifies herself with a female figure whose power was intellectual and whose courage was tested in the most extreme circumstances.

Technical Analysis

Artemisia's own features are clearly recognizable in the saint's face, rendered with warm Caravaggesque lighting that models the determined expression and the rich costume with characteristic boldness.

See It In Person

National Gallery

London, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
71.4 × 69 cm
Era
Baroque
Style
Italian Baroque
Genre
Portrait
Location
National Gallery, London
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Clio, la Musa della Storia (La fama) by Artemisia Gentileschi

Clio, la Musa della Storia (La fama)

Artemisia Gentileschi·1632

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