
Portrait of a young man
Jacometto Veneziano·1450
Historical Context
This Portrait of a Young Man by Jacometto Veneziano, painted around 1450, is a rare surviving work by one of the most refined portrait painters of fifteenth-century Venice. Jacometto Veneziano — about whom surprisingly little biographical documentation survives despite his documented reputation — was particularly noted by contemporaries for his miniature portraits, and this work reflects his extraordinarily delicate technique. Venetian portraiture of this period was deeply influenced by Flemish naturalism, particularly after Antonello da Messina arrived in Venice from Naples, where he had absorbed the Flemish oil technique from Spanish-ruled Southern Italy.
Technical Analysis
Oil or tempera on panel, executed with miniaturist refinement and delicacy. The young man is shown in three-quarter view — a more intimate and psychologically engaged pose than the strict profile portraits of Florentine practice.
See It In Person
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Portrait of a Woman, Possibly a Novice of San Secondo
Jacometto Veneziano·c. 1490

Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in Grisaille
Jacometto Veneziano·1490

Portrait of Alvise Contarini(?); (verso) A Tethered Roebuck
Jacometto Veneziano·1490

Portrait of a Man
Jacometto Veneziano·1486



