Pope Sixtus II. bids farewell to St. Lawrence

Dating to 1465, the portrait demonstrates the portrait tradition that Michael Pacher contributed to within the Early Renaissance. Painted during the flourishing of the Early Renaissance, the work balances individual likeness with the idealized presentation expected by fifteenth-century patrons. This was a period of intense artistic exchange across Europe, as Italian painters absorbed Netherlandish oil technique while Northern artists traveled to study Italian perspective and classical forms.

Tempera technique, reflecting earlier traditions, the portrait demonstrates Michael Pacher's command of skilled technique and careful observation. The careful modeling of the face reveals close study of the sitter's physiognomy, while the treatment of costume and setting projects appropriate social standing.